UGLY SIGHT

“Images say nothing.”

Teachers and demagogues, revolutionaries and terrorists, warriors of the culture wars and anyone who likes sending selfies: all these groups share a faith in the power of images. No one can be forced to think if they don’t want to. Humans may possess the faculty of reason, but we are free to decide if we want to follow its conclusions. If you want to get your message across, use the senses instead of arguments. If you want to change something, make a visual impact.

Our trust in the visceral power of imagery is an implicit belief in the innocence of seeing. Can a picture do what thoughts are incapable of and instantiate immediate, unfiltered perception? Images have the power to engender bonds that are beyond the scope of mere thought, like a shared group identity: Images can create the “we”. After all, has any idea had the same impact on humans as ideals? Has reason ever won out over tradition and culture?

This volume completes a trilogy by the philosopher Bettina Stangneth on her theory of a “dialogue of thought”. Here, she once again forces her readers to reconsider long-cherished prejudices. Ugly Sight is an insightful, expertly argued essay on the nature of seeing.

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  • Publisher: Rowohlt Hardcover
  • Release: 18.12.2018
  • ISBN: 978-3-498-06448-8
  • 160 Pages
  • Author: Bettina Stangneth

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UGLY SIGHT
Bettina Stangneth UGLY SIGHT
Dieter Rielk
© Dieter Rielk
Bettina Stangneth

Born in 1966, Bettina Stangneth is an independent philosopher. She studied philosophy in Hamburg and wrote her doctorate on Immanuel Kant and radical evil. Her book Eichmann vor Jerusalem was awarded the NDR   Kultur Non-Fiction Prize in 2011; the New York Times ranked it among the best books of the year. Rowohlt has most recently published her highly praised essays  Böses Denken (2015), Lügen lesen (2017) and Hässliches Sehen (2019), as well as the volumes Sexkultur (2021) and Überforderung (2022). In 2022, Bettina Stangneth was awarded the International Friedrich Nietzsche Prize.